Thank you to the Fulbright Commission for the honour of asking me to give this lecture. I have been asked to speak on the subject of women and film. I am one of a very small group of lucky ones, in many ways my career an exception to the rule, in other ways an example of it.

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I found cinema incredibly inspiring, but I wasn't hearing any voices that felt like my voice in that world. It was a bit like being a singer and hearing wonderful music, but feeling there was nothing in your range. It was almost a lack of confidence, before. But seeing the film, the power of its imagery and the delicacy of the way that emotion was handled in it, it felt in tune with who I was as a person and who I was as a filmmaker. It made me see film as a possibility for myself. I first saw it in a cinema on the King's Road with the man who was to be my husband. We'd only recently met. At that point I knew I very much wanted to have children, and here was a film exploring the relationship between a mother and a daughter. I was excited, but my boyfriend didn't really get it at all. He found it slow and uninspiring.
Filmography
The Bafta-winning film director Susanna White first realised what she wanted to do with her life when she visited the set of the BBC children's TV show Crackerjack at the age of eight with her pack of Brownies. And one had a red light on, and I'm thinking, 'Why's that one got a red light on? And what's that one doing now? Which one's on Peter Glaze? I knew there and then who I was and what I wanted to do. She is on a lunch break between casting sessions for the sequel to the Emma Thompson comedy Nanny McPhee, but I'm here to discuss a project that could not be further removed from this Mary Poppins-like family fare or her former directing gigs on BBC1's acclaimed Bleak House or her Emmy-nominated Jane Eyre. Currently screening on FX Channel 4 has picked it up for wider transmission later this year , Generation Kill is based on the Rolling Stone journalist Evan Wright's account of being embedded with a Humvee full of frontline US Marines during the invasion of Iraq. Dark and complex storytelling of the highest order, and with a cast that included several real-life Marines, it is thousands of miles away from the Dickensian London of Bleak House. This is also about handling a big ensemble cast and juggling multiple storylines. Anyway, I thrive on moving between things.
White was born in England in She first became interested in films at 8 years old, when she visited the set of the BBC children's TV show Crackerjack , and asked her parents to buy her a Super 8 film camera. After graduation, White spent 12 years making documentaries for BBC2. In , she failed to win a place on a BBC training scheme and was turned down for a BBC drama director trainee course. White and her husband, an Oxford academic and part-time dairy farmer, live on a dairy farm in Sussex with their twin daughters, Beatrix and Oriane. From Wikipedia, the free encyclopedia. For the Mayflower passenger, see Susanna White Mayflower passenger. The Guardian. Retrieved 25 February