Japanese S hunga art is explicit about sex in a way western artists never found easy before the 20th century. As you unfurl the scroll, detailed and beautifully coloured scenes of lovemaking reveal themselves. Time stands still. The cares of life are forgotten in a relaxed, mutually fulfilling utopia of pleasure. In Greek and Roman mythology satyrs are goat-legged followers of the wine god Bacchus, hairy votaries of sex, dance and ecstasy. In Renaissance art they are walking penises, embodiments of lust, who chase nymphs or spy on sleeping goddesses. Here, however, the brilliant craftsman Riccio imagines a satyr couple, tenderly embracing in some balmy woodland nook.

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By Artspace Editors. But what about those works whose subjects slid right past first base and sometimes even second and third? C— A. Image courtesy of the Art Insitute of Chicago. The Moche civilization dominated the arid north coast of Peru from around the first to the eighth century AD. Its peoples harnessed the waters of the Andes to create a sophisticated culture with a highly stratified urban society centered on ceremonial pyramid complexes called huacas. Their material culture includes exquisitely crafted textiles, ornamental objects in gold and semi-precious stones, wall paintings, tattooed mummies, and ceramics. The ceramics preserve images of war and daily activities such as weaving, and a group of at least vessels carries explicitly sexual images in the form of three-dimensional sculptures on top of or as part of the pot. The vessels are always functional, with a hollow body to hold liquids and a pouring spout, often in the form of a phallus.
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By , Pablo Picasso was already the most famous artist in the world. Picasso had a wife, a son and a mistress. The wife, Russian ballet dancer Olga Khokhlova , aged 41, had given up dancing after an ankle injury to devote herself to home-making. Their son Paulo was 11 years old and already taller than his 5ft 3in father. From the outside, the Picassos looked like a happy, bourgeois family. In September, the three travelled together to Switzerland when the first Picasso retrospective, organised in Paris in June, moved to Zurich. He betrayed their secret on January 2nd, in his first painting of the year, in what is doubtlessly the most beautiful homage to his young mistress, titled Woman Reading.
Kieron Williamson kneels on the wooden bench in his small kitchen, takes a pastel from the box by his side and rubs it on to a piece of paper. Like many great artists, small boys are not often renowned for their loquaciousness. While Kieron Williamson is a very normal seven-year-old who uses his words sparingly, what slowly emerges on the small rectangle of paper in his kitchen is extraordinarily eloquent. This month, Kieron's second exhibition in a gallery in his home town of Holt, Norfolk, sold out in 14 minutes.